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    December 11

    “没事”当代艺术展

    “没事”当代艺术展



    主办:中国美术学院新媒体系
    协办:上海比翼艺术中心

    开幕时间:2006年12月15日( 16:30至20:00 )
    开放时间:2006年12月16日至20日( 10:00至17:00 )

    地 址:浙江杭州西湖区清河坊大井巷95号胡庆余堂中药博物馆
    ( 吴山脚下的老厂古建筑群背后的老厂房)
    展览网站:http://www.nma.com.cn/nqnp/

    免费入场



    ‘没 事 ’当代艺术展是临时决定的,因为碰巧有个理想的展览空间可以用。 这个空间位于城市中心,是胡庆余堂中药博物馆里将要拆除的老厂房。 七月,中国美术学院新媒体系联合上海比翼艺术中心开始筹划‘没事’ 当代艺术展。由于一直 保持着作展览及活动的一级准备状态,尽管时间不到半年,最重要的资源——良好的人力为展览实现铺平了道路。展览面临的最大问题是不可避免的不确定因素。中 国美术学院新媒体系和上海比翼艺术中心的共同兴趣关注在每位艺术家正在进行中的工作推进。所以每次展览都带有冒险,走进展厅的作品最后的摸样有时候甚至连 艺术家本人都不能肯定。‘没事’展的解决方案是对质量提出了要求,对方案的选择几乎残忍到违背艺术规律。也算是展览开幕前可以看到的一个特点。令人感动的 是在这一过程中每一位艺术家都展现出最积极合作和理解的责任,其认真态度超过我所见。到目前为止才使展览筹备的进程和时间表基本同步。可以预见‘没事 ’当代艺术展的品质将和参与其中的每个人的努力成正比。

    策划人:耿建翌,范厉,沈立功,杨振忠,徐震

    参加艺术家:
    陈晓云, 储云, 崔绍翰, 冯晨, 飞苹果, 耿建翌, 何岸, 黄奎, 蒋竹韵,
    金锋, 老金锋, 阚宣, 李文, 刘韡,彭韫, 邵一, 沈立功, 石青,
    施勇, 孙慧源, 孙逊, 王小峰, 王欣, 吴珏辉, 徐震, 杨露, 杨青青,
    杨振忠, 张鼎, 张如愚, 张乐华, 张辽源, 张默一, 张培力, 张旭涛, 章清, 郑国谷, 钟苏, 朱昱



    鸣谢: 上海香格纳画廊,
    杭州江南布衣服饰有限公司
    洪业服饰有限公司
    杭州胡庆余堂中药博物馆



    It's all right, contemporary art exhibition




    Organizer: China Academy of Art, New Media Department
    Co-organizer: Shanghai BizArt Art Center

    Opening: December 15th, 2006, from 16:30 to 20:00
    Venue opening hours: December 16th to 20th, 2006
    Everyday from 10:00 a.m. to 17:00
    Venue: Hu Qing Tang Museum of Traditional Chinese Medicine
    No. 95, Da Jin Xiang, Qing He Fang, West Lake District, Hangzhou, Zhejiang Province
    (Factory at the back of the group of ancient houses, at the feet of the mountain Wushan)
    Website: http://www.nma.com.cn/nqnp/
    Free entrance



    The idea of organizing the contemporary art exhibition, "It's all right", was suddenly decided as we found the perfect exhibition venue: an old factory of the Hu Qing Yu Tang Museum of Traditional Chinese Medicine about to be demolished in the town center. The new media art department of the China Art Academy and BizArt Art Center took this decision in July and maintained the same dynamic attitude since then: from the concept of the show to its accomplishment, although the whole process lasted six months only. This wouldn't have been possible without the efforts of each of the participants. The main problem the exhibition has to face now is the unforeseeable elements. The new media art department of the China Art Academy and BizArt Art Center always focused on each artist's progression in the production of their works. Each show include some risks: it is sometime uncertain for the artists themselves to know what the last shape of their works will be as they enter the exhibition room. The artworks projects were severely selected on the basis of various criteria of quality: the selection was sometime cruel to the point that it nearly violated art rules. This constitutes a particular aspect of this exhibition that can be seen before its opening. Here again, each artist showed their understanding and their responsibility sense when collaborating. This conscientious attitude exceeded all our expectations. Until now, the exhibition's process and preparation was fully synchronized, which reveals the efforts of each of its participant.

    Curators: Geng Jianyi, Fan Li, Shen Ligong, Yang Zhenzhong, Xu Zhen

    Participating artists:
    Chen Xiaoyun, Chu Yun, Cui Shaohan, Feng Chen, Fei Pingguo, Geng Jianyi, He An, Huang Kui, Jiang Zhuyun, Jin Feng, Jin Feng (lao), Kan Xuan, Li Wen, Liu Wei, Peng Yun, Shao Yi, Shen Ligong, Shi Qing, Shi Yong, Sun Huiyuan, Sun Xun, Wang Xiaofeng, Wang Xin, Wu Juehui, Xu Zhen, Yang Lu, Yang Qingqing, Yang Zhenzhong, Zhang Ding, Zhang Ruyu, Zhang Lehua, Zhang Liaoyuan, Zhang Moyi, Zhang Peili, Zhang Xutao, Zhang Qing, Zheng Guogu, Zhong Su, Zhu Yu, Zhu Yun



    Acknowledgements: ShanghArt Gallery
    JNBY(HANGZHOU)FINERY CO.,LTD
    GREAT ENTERPRISE FINERY CO.,LTD
    Hu Qing Yu Tang Museum of Traditional Chinese Medicine





    没事 当代艺术展


    2006 杭州

    “没事” 当代艺术展是临时决定的,因为碰巧有个理想的展览空间可以用。 这个空间位于城市中心,是胡庆余堂中药博物馆里将要拆除的老厂房。七月,中国美术学院新媒体系联合上海比翼艺术中心开始筹划‘没事’ 当代艺术展。由于一直保持着作展览及活动的一级准备状态,尽管时间不到半年,最重要的资源——良好的人力为展览实现铺平了道路。展览面临的最大问题是不可 避免的不确定因素。中国美术学院新媒体系和上海比翼艺术中心的共同兴趣关注在每位艺术家正在进行中的工作推进。所以每次展览都带有冒险,走进展厅的作品最 后的摸样有时候甚至连艺术家本人都不能肯定。‘没事’展的解决方案是对质量提出了要求,对方案的选择几乎残忍到违背艺术规律。也算是展览开幕前可以看到的 一个特点。令人感动的是在这一过程中每一位艺术家都展现出最积极合作和理解的责任,其认真态度超过我所见。到目前为止才使展览筹备的进程和时间表基本同 步。可以预见‘没事 ’当代艺术展的品质将和参与其中的每个人的努力成正比。

    The idea of organizing the contemporary art exhibition, "It's all right", was suddenly decided as we found the perfect exhibition venue: an old factory of the Hu Qing Yu Tang Museum of Traditional Chinese Medicine about to be demolished in the town center. The new media art department of the China Art Academy and BizArt Art Center took this decision in July and maintained the same dynamic attitude since then: from the concept of the show to its accomplishment, although the whole process lasted six months only. This wouldn't have been possible without the efforts of each of the participants. The main problem the exhibition has to face now is the unforeseeable elements. The new media art department of the China Art Academy and BizArt Art Center always focused on each artist's progression in the production of their works. Each show include some risks: it is sometime uncertain for the artists themselves to know what the last shape of their works will be as they enter the exhibition room. The artworks projects were severely selected on the basis of various criteria of quality: the selection was sometime cruel to the point that it nearly violated art rules. This constitutes a particular aspect of this exhibition that can be seen before its opening. Here again, each artist showed their understanding and their responsibility sense when collaborating. This conscientious attitude exceeded all our expectations. Until now, the exhibition's process and preparation was fully synchronized, which reveals the efforts of each of its participant.


    策划人:耿建翌,范厉,沈立功,杨振忠,徐震
    参加艺术家:
    陈晓云   储  云   崔绍翰 冯  晨   飞苹果    耿建翌    何  岸   黄  奎   蒋竹韵
    金 锋   老金锋   阚  宣    李  文   刘  韡    彭  韫    邵  一   沈立功   石  青
    施  勇   孙慧源   孙  逊    王小峰   王  欣    吴珏辉    徐  震   杨  露   杨青青
    杨振忠   张  鼎   张如愚    张乐华   张辽源    张默一    张培力   张旭涛   章  清
    郑国谷   钟  苏   朱  昱

    Curators: Geng Jianyi, Fan Li, Shen Ligong, Yang Zhenzhong, Xu Zhen

    Participating artists:
    Chen Xiaoyun, Chu Yun, Cui Shaohan, Feng Chen, Fei Pingguo, Geng Jianyi, He An, Huang Kui, Jiang Zhuyun, Jin Feng, Jin Feng (lao), Kan Xuan, Li Wen, Liu Wei, Peng Yun, Shao Yi, Shen Ligong, Shi Qing, Shi Yong, Sun Huiyuan, Sun Xun, Wang Xiaofeng, Wang Xin, Wu Juehui, Xu Zhen, Yang Lu, Yang Qingqing, Yang Zhenzhong, Zhang Ding, Zhang Ruyu, Zhang Lehua, Zhang Liaoyuan, Zhang Moyi, Zhang Peili, Zhang Xutao, Zhang Qing, Zheng Guogu, Zhong Su, Zhu Yu, Zhu Yun


    没事
    2006 杭州


    “没 事”当代艺术展试图关心一些处境,以及在处境中提问的方式。不知不觉中,何以拥有了一种若无其事的能力,它腐蚀掉提问,又何以相信一切都会好的,没事的: 战争-想象和想象力的战争?孤独-感受被剥夺?误会-沟通的岔道?间接-距离的贫穷?局促-虚构的限制?冲突-暂时的失聪?伤害-对痊愈的期待?... 剩下的只有希望,但是希望什么呢?没〜事。

    现实与艺术老是有关系。当艺术携带着现实重新进入了现实,它立刻成为现实的现场。而艺术的现场 仅仅是个现场,整个现实升级是现实的审美面具。在这样的现场,艺术跟现实的根本差别被混淆着,艺术不再具有现实之外的特别形式,现实之外的形式已经包裹在 现实的排泄系统温暖的通道之内,现实之内的形式在现实中继续若无其事。

    没事,

    现实无处不在艺术
    艺术无处不在现实

    不在现实中现实,就在现实中艺术
    不在艺术中现实,就在现实中艺术
    不在现实中现实,就在艺术中现实
    不在艺术中艺术,就在艺术中现实


    还有什么事?


    沈立功
    2006年 杭州


    It's all right, Contemporary Art Exhibition
    2006, Hangzhou

    "It's all right", contemporary art exhibition, attempts to focus on dilemmas and the tactical questions they generate. As we are in an unconscious state of mind, how could we possess a capacity of 'detachment'? A capacity which can corrode all this questioning. How could we believe that everything will be fine, that everything's alright? War? It's alright, it's only a war between imagining and imagination; solitude? It's alright, it's only a deprivation of feelings; misunderstanding? It's alright, it's only a branch point in the communication; indirectness? It's alright, it's only distances’ poverty; constraint? It's alright, it's only fiction's boundary; conflict? It's alright, it's only temporary deafness; injury? It's alright, it's only a longing for recovery … Only 'hope' remains, but what to hope for? ….

    There is always a link between art and reality. Contemporary art, supplied with reality, re-penetrates reality and instantaneously becomes its scene. Art scene is only a scene and reality's exaltation an aesthetical mask. Then, fundamental differences between art and reality blur, art doesn't possess any particular forms out of reality anymore, the latter is already wrapped in the mild passage of the draining system, while forms of reality remain unchanged in reality.

    It's alright

    Nowhere does reality not become aesthetical
    Nowhere does art not become reality

    If it doesn’t become real in reality then it becomes aesthetical in reality
    If it doesn’t become real in art then it becomes aesthetical in reality
    If it doesn't become real in reality, then it becomes real in art
    If it doesn't become aesthetical in art, then it becomes real in art

    What else?

    Shenligong
    2006, Hangzhou










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